Review: “Apocalypse Now – The Final Cut” Reveals Coppola’s “Definitive” Version

Polished like a new penny, visually audacious and peppered with nightmarish revelations, Final Cut promises to be Francis Ford Coppola's legacy...
Posted On 23 Oct 2019

Review: “The Beach Bum” Channels Bukowski But Remains Lightweight

Is Korine’s intention to remain ambiguously profound, tie things up too neatly and find our hero as clueless as when he started.?
Posted On 16 Oct 2019

Review: “Scarborough” Examines Human Complexities Without Providing Neat Resolutions

Scarborough might be low budget indie territory but the issues being examined supersede outward appearances...
Posted On 15 Oct 2019

Review: “The Queen And I” A Dull Affair

he Queen (Samantha Bond) and family are kicked out from the Palace to live in a run-down cul-de-sac, and as you would expect, find it hard to adapt...

Review: “Extreme Measures” – An Efficient Potpourri Of Twists, Red Herrings & Everyman Peril

Hugh Grant was trying to find his feet in Hollywood when Extreme Measures was released around the time of his infamous arrest on Sunset Boulevard by the vice squad...

Review: “To All The Boys I’ve Loved Before” Injects Plenty Of Imagination Into Rom-Com Cliche

Lara Jean is a High School Junior when her life is turned upside down after her younger sister, Kitty, exposes her soul-baring love letters to the outside world...

“Once Upon A Time In Hollywood”: Quentin Tarantino Wrestles Back Control From The Sequels, Reboots & Superheroes

Quentin Tarantino's Once Upon A Time In Hollywood prompts Simon Evans and Luke Ostler into a polemic on the state of mainstream cinema...

Review: “The Scarlett Empress” Benefits From Dietrich’s Star Power While Others Flounder

Due to the wooden acting there is little narrative urgency which leads to an indifference and disinterest...
Posted On 14 Sep 2019