Top 10 Horror Film Beginnings
The opening to a horror film is a crucial part of the genre. It is the director’s chance to take hold of his or her audience and not let go. A poor beginning could destroy the entire film.
Recently, Rob Keeling looked at the top 10 downbeat endings. But what about beginnings? The start of a film is just as crucial as the ending, if not more so. In the first twenty minutes of a film the director has to introduce you to the story and his way of telling it, the principle characters and the key plot conundrum that is to be driven by the narrative. If these elements fall down or fail to hold the interest of the audience, the film’s success is in doubt.
The horror film is a great example of top notch beginnings. The way in which a horror film tries to get under your skin is governed by its opening which tries to set up its scares. A opening that doesn’t make you jump or fails to get those hairs on the back of the neck standing to attention is one which is going to lose its audience’s interest.
10. Suspiria (Argento, 1977)
What happens: American girl Suzy Bannion arrives in Munich to attend the world-renowned dance academy in Freiburg.
It is the way director Dario Argento uses the soundstage along with some terrific visuals that makes the opening to Suspiria so exciting.
9. IT (Wallace, 1990)
What happens: A child rides her bike into her yard. Her mother asks her to come in but before she does she notices a clown hiding behind the washing line. Curious, the child investigates…
Tommy Lee Wallace’s film adaptation of Stephen King’s brilliant book might not be up to the standards of the source novel but it has some terrific moments. Not least this chilling opening. Tim Curry is superb as villain Pennywise.
8. Halloween (Carpenter, 1978)
What happens: John Carpenter skulks around a house with his camera before killing a blonde girl who is combing her hair…something like that.
John Carpenter makes brilliant use of the point of view shot to put us inside the villain. What is perhaps most chilling is that the reveal shows that the killed is actually a child.
7. Candyman (Rose, 1992)
What happens: Never, ever, say Candyman in the mirror five times. At the beginning of Candyman a young girl decides to take on the challenge – very bad idea.
Candyman is one of the best horror films of the 1990s. It features a great villain as played by the uncompromising Tony Todd, and is directed with authenticity by British filmmaker Bernard Rose.
6. The Hitcher (Harmon, 1986)
What happens: A teenager driving from Chicago to San Diego picks up the hitchhiker from hell.
The Hitcher is a film that grabs you from minute one and never stops. In large part the film’s success is down to Rutger Hauer’s genuinely chilling portrayal of a drifter calling himself Jack Ryder. Ryder enjoys murdering anyone and everyone who comes across his path including cops, children, and most importantly, our protagonist Jim Halsey (C. Thomas Howell).
The opening is suitably tense as teenager Jim is driving along the middle-of-nowhere-roads in Texas on his way to California. He’s feeling a little tired so, having spotted a hitchhiker, he decides to stop the car and give the stranger a ride. Of course, everyone in the audience is thinking: What are you doing picking up a completely stranger? It is made even more baffling by the thunderous weather, heavy rain, remote location and pitch black night sky, but then this is a movie! Of course, Hauer’s Jack Ryder isn’t your usual hitchhiker. It quickly becomes obvious that Ryder isn’t a nice chap. When he puts a knife to Jim’s face and asks him about eyes bursting, blood spurting and wanting to die, we know this is one hitchhiker to avoid. Can Jim find a way to escape or is this film only ten minutes long? You’ll have to watch it to find out!
5. An American Werewolf in London (Landis, 1981)
What happens: Two American men, travelling through northern England, are attacked on the moors by a werewolf.
When I refer to the opening of An American Werewolf In London, I’m talking about the first twenty minutes which are hauntingly and gorily irresistible to any horror film fan. The short stay in the local pub for David and Jack is awkward and funny, macabre and unsettling. It brilliantly sets up their ill advised trek across barren moorland and their ultimate demise at the hands of a rabid werewolf.
4. Scream (Craven, 1996)
What happens: A girl has to answer horror film questions correctly in order to save her boyfriend’s life.
The opening of Scream is a little piece of genius from Dawson’s Creek creator Kevin Williamson and Nightmare on Elm Street director Wes Craven. This postmodern slasher film reinvigorated a genre long ago lost to straight-to-video low-grade z-movies. Its referential humour and gleeful play on convention is perfectly set-up in the film’s fantastic opening sequence.
3. Twilight Zone: The Movie (Landis, Spielberg, Dante, Miller, 1983)
What happens: You know that nice friendly comedian Dan Aykroyd? Well it turns out he’s a zombie!
Another film that begins with a guy driving along a desolate road at night. What does that tell you? Twilight Zone: The Movie has four directors who each bring to life four stories loosely cut and pasted together. It is perhaps most notorious for the tragic accident that occurred while John Landis was filming his segment entitled Time Out when a helicopter lost control causing the deaths of three actors including two children.
2. When A Stranger Calls (Walton, 1979)
What happens: Jill Johnson is just your average teenage babysitter, working for an average suburban couple when they go out for a meal. But, while the children are safely tucked up in bed upstairs, she starts to receive some strange phone calls.
When A Stranger Calls, which was remade in 2006 by Simon West (a film I actually prefer), has one of the finest twists at the beginning of a film rather than the end.
1. Jaws (Spielberg, 1975)
What happens: Chrissie Watkins undresses and goes for a swim…then there’s screaming…lots and lots of screaming…
The beauty of Steven Spielberg’s opening to Jaws is that he has the audience in the palm of his hand, our nerves jangling to the director’s whim. It is undoubtedly one of cinema’s most memorable opening sequences.
Written and compiled by Daniel Stephens.
Your turn – what are your favourite horror film beginnings?
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